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Archiv klubu Marco Beltrami [ŽP: 8 týdnů] (kategorie Hudba) moderuje Lokutus.
Oficiální stránky

fanouškovské stránky I
fanouškovské stránky II
Soundtracknet interview 8/9/1998
Interview - Holywood Reporter 20/4/2004
Interview - Scoring with genre films pt. 1
Interview - Scoring with genre films pt. 2
Interview - Scorelogue - Dracula 2000
An evening with Marco Beltrami on the phone
Interview - ScoreTrack.net
OSTweb: tabulka Marca Beltramiho


Vybrané releasy:

Online:
- Love and Monsters, Michael Matthews, USA 16. října 2020, trailer

Následující projekty:
- A Quiet Place: Part II, John Krasinski, USA 17. září 2021, trailer
- Chaos Walking, Doug Liman, USA 22. ledna 2021, trailer
- Fear Street, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 2, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 3, Leigh Janiak, USA 2021, trailer, oficiální stránky
- The Cowboys, Tommy Lee Jones, USA TBA, trailer, oficiální stránky

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Nemáte právo psát do tohoto klubu. Práva vám může přidělit moderátor klubu. Požádejte ho v soukromé poště.

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lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 21.4.2006 07:33  675
more The Omen news :)I did hear the montage sequence for the end credits that features Jerry Goldsmith's music (that was booming out of the 6.1 speakers) and it starts off with a short section of "Ave Satani" and I'm sure that there'll be some grand choral stuff here.

Compared to Jerry Goldsmith's rather sparse original score Beltrami's music is very different. It is undoubtedly a Beltrami score and if you enjoyed his more recent scores such as Hellboy then you should like this.
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 20.4.2006 18:31  674
po delší době konečně update
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 20.4.2006 17:31  673
další OMEN newsOne of the posters at FILMUS-L, the film music listserver, recently attended the
THE OMEN (2006)
recording sessions at London’s Abbey Road Studios for Marco Beltrami's score for the new version of THE OMEN. This is what he said about the score: Beltrami “he is using a choir (and some of the texts written for the old score), but … he is not using any of Jerry's score, although he uses a similar three-note motif that he then develops differently – in fact the music is quite different, but in the end credits he includes an excellent arrangement of Goldsmith's music, which I think is a good way to acknowledge Jerry's work on the first movie and give homage to one of the best scores ever written.”
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 20.4.2006 09:32  672
Omen minigallery
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 18.4.2006 17:49  671
Nový The Omen trailer!!!


Některý obrázky sice vypadají skutenčně moc hezky a mají obrovskej hudební potenciál, ale na druhou stranu JOHN MOORE - 11. přikázání, nikdy nevěřit Mooreovi :)
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 18.4.2006 16:11  670
Marco on Three Burials of Melquiades Estrada (Hollywood Reporter)'Director Tommy Lee Jones wanted to explore different sounds and bring a perspective to the film (and) a personality; something rather than it being wallpaper. He said he didn't want strings, but I ended up using strings — I used a string quintet. But I used the quintet mainly in a percussive way, not in a lyrical way.

There are very few lyrical things about the score. In the end, I used an eclectic ensemble. "There are two main aspects to the film: one was this friendship between Tommy Lee Jones' character and his friend, who's killed; the other is the landscape itself.

"To me, the landscape was a holistic place that had to be treated organically, and the music had to represent the feeling of the land. Some of the instruments used to achieve this feeling were Indian drums and ethnic Indian flutes. One scene, in particular, comes to mind, where the border patrol (character) …escapes, and he's running through the desert. The obvious music had to be chase music, but I resented the idea of writing chase music like you would see in an action movie. Thankfully, Tommy supported me in not going that route, so we took an accordion, guitar and … ended up exploring other sides of them and creating a texture that would naturally evolve out of the picture. Hopefully, it does.

"Aside from the way I used the instruments, I did some eclectic percussive stuff. One of the things that's common in the score is, I used this cactus that is only found in this region in Southern Texas. The needles of the cactus are actually plucked, and they give off a hollow pitch. My assistant and I recorded and sampled the needles, then actually used the sound of the cactus to create percussive loops and beds for the score.

"The one thing Tommy didn't want was to be sitting on his horse, going through the desert, and it becoming a Sergio Leone landscape. This movie is strongly routed in friendship, among other things. As such, it was a unique story that required unique music, so you couldn't conjure up images of other movies. It wasn't supposed to be derivative."
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 18.4.2006 15:27  669
IMDB forum - Captivity
"Plot twist was cool, other than that crap. Worst ending I've seen in a while. Double thumbs up on the music tho :D"

no... jsem dost zvědavej na ty slibovaný ukázky, když tedy ofiko nejspíš nevyjde :(
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 16.4.2006 23:44  668
"My favorite cues are along with the funeral and the title sequence, that Marco Beltrami wrote. Marco and I have a very good relationship, a very strange one by the way, it’s just all happens that we have to disagree on every project very strongly at the beginning and the middle or the end and we always say this is our fight for the project but at the same time he’s a guy I trust completely and that surprises me every time. He’s like Ron Perlman, a collaborator, a friend whose choices went different than mine. Actually surprise me and I enjoy them much more than I’ve originally have asked for. And in the case of Hellboy we collaborated very closely I think it is one of the best and most collaborations but Marco’s music especially in this coming moment when Rasputin says to Hellboy „You must choose,“ you know, his music to me is what sales that moment, what makes that moment work. I think that there is no way of seeing what Hellboy is going through in his mind except Marco’s music. Also the funny thing about the title music is one of the few times where that very ending under kissing where I have actually hummed the tune to Marco and say „You have to put this element in there!“ I put in a little rhytmic element that marks the tempo in the title and the end Marco, when they’re kissing, Marco who is very prudisch about going into melodrama and who is every time cuttle-proded by me into going into melodrama, was going up and then droping it and I kept telling him „You have to go for the full thing“ this is to me, at least to me, one of the most beautiful kisses in the history of fairytales. The kiss of fireproof creature being kisses by firing girl and you have this incredibly beautiful moment when they go in flames."

- Guillermo Del Toro
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 7.4.2006 22:44  655
helemese.. za chvili začíná THE WATCHER - jeden z nejotřesnějších filmů (spolu s Minus Manem) na kterým kdy Marco dělal, ale hudba je celkem dost fajn thrillerovka s typickým Marcovým herrmannovským nádechem...
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 28.3.2006 12:01  654
že by další upcoming project? :)
geoffrey geoffrey 26.3.2006 20:18  653
Jen pro úplnost, interview nalezeno zde:

http://www.cinezik.org/compositeurs/index.php?compo=amar-ent3
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 26.3.2006 18:11  652
díkes :)
geoffrey geoffrey 26.3.2006 18:10  651
C: A co se týče skladatelů vaší generace, jak na ně nahlížíte?

AA: Dobrého je spousta. Na festivalu v Auxerre na mě čekalo spousta dojetí. Například hudba k TROIS ENTERREMENTS (THE THREE BURIALS OF MELQUIADES ESTRADA) mi přišla opravdu vynikající. Marca Beltramiho neznám, ale použil ‚gamelons‘, druh gongu, které pospojoval s kytarami a mandolínami. Přijde mi, že tento typ hudby může nalézt uplatnění i v Evropě, co do množství té hudby není moc, partitura je prostá, jednoduchá, s hezkými tématy...
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 26.3.2006 18:10  650
na tohle holt moje fránina nestačí :)
geoffrey geoffrey 26.3.2006 18:08  649
Sice se sebezapřením, ale... no dobrá, Armand Amar se k Beltramimu vyjádřil pochvalně:

Cinezig.org: Et parmi les compositeurs de votre génération, quel regard portez-vous sur eux ?

AA: Il y a de très belles choses. J’ai été très impressionné ici, au festival d’Auxerre. Par exemple, j’ai trouvé la bande originale de TROIS ENTERREMENTS vraiment incroyable. Je ne connaissais pas Marco Beltrami, mais il a utilisé des gamelons, des sortes des gongues, qu’il a mélangé à des guitares et des mandolines. J’ai retrouvé cette bande son proche de ce qu’on pourrait faire en Europe, c’est à dire très peu de musique, une partition dépouillée, simple, de beaux thèmes…


Víc se k němu Amar nevrací...

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