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Klub Marco Beltrami [ŽP: 8 týdnů] (kategorie Hudba) moderuje Lokutus.
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Oficiální stránky

fanouškovské stránky I
fanouškovské stránky II
Soundtracknet interview 8/9/1998
Interview - Holywood Reporter 20/4/2004
Interview - Scoring with genre films pt. 1
Interview - Scoring with genre films pt. 2
Interview - Scorelogue - Dracula 2000
An evening with Marco Beltrami on the phone
Interview - ScoreTrack.net
OSTweb: tabulka Marca Beltramiho


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VARÈSE SARABANDE RECORDS TO RELEASE
GODS OF EGYPT – ORIGINAL MOTION PICTURE SOUNDTRACK

Featuring Original Music Composed By Marco Beltrami

(February 16, 2016 – Los Angeles, CA) – Varèse Sarabande will release the GODS OF EGYPT – Original Motion Picture Soundtrack digitally on February 26 and on CD March 25, 2016. The album features the original music composed by Marco Beltrami (WORLD WAR Z, THE HURT LOCKER).

“The magnitude of score is beyond anything I have done before,” said Beltrami. “This two and half hour score is the biggest film score project I have ever undertaken, after all these years that it saying something. Just mixing it took over a month but it was all worth it as it is really fun to stretch my wings a bit.”

In this spectacular action-adventure inspired by the classic mythology of Egypt, the survival of mankind hangs in the balance as an unexpected mortal hero Bek [Brenton Thwaites] undertakes a thrilling journey to save the world and rescue his true love. In order to succeed, he must enlist the help of the powerful god Horus [Nikolaj Coster-Waldau] in an unlikely alliance against Set [Gerard Butler], the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict. As their breathtaking battle against Set and his henchmen takes them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the epic final confrontation.

“The director Alex Proyas and I did some great research together to create the right sound,” Beltrami described. “We watched some of the great films that reflected the area and sensibility we are going, for such as raiders of the lost ark, black narcissus, lawrence of arabiA together as these were influences of his for the film and wanted the music to perform a similar thematic function. After that I did my best to deliver.”

Award-winning composer Marco Beltrami established an early reputation as a genre innovator with non-traditional horror scores for the SCREAM franchise and DON’T BE AFRAID OF THE DARK. Beltrami’s musical palette has since expanded to virtually all film genres. Beltrami has received two Academy Award nominations for Best Score. First, for 3:10 TO YUMA, starring Russell Crowe and Christian Bale, and shortly after for his score to the Academy Award winning film for Best Picture, THE HURT LOCKER. Beltrami received a Golden Satellite Award in 2011 for Best Film Score of The Year for SOUL SURFER.

His recent and upcoming credits include BEN HUR, FANTASTIC FOUR, THE HOMESMAN, SNOWPIERCER, THE NOVEMBER MAN, THE GIVER, THE WOLVERINE, TROUBLE WITH THE CURVE, THE SESSIONS, A GOOD DAY TO DIE HARD, and WARM BODIES. Beltrami has lent his musical voice to such unique hit films as LIVE FREE OR DIE HARD, TERMINATOR 3: RISE OF THE MACHINES, and I, ROBOT. Other scoring credits include THE WOMAN IN BLACK, THE THING, DEADFALL, WORLD WAR Z and the AMC spy thriller TURN.

GODS OF EGYPT will be in theaters February 26, 2016. Varèse Sarabande will release the GODS OF EGYPT – Original Motion Picture Soundtrack digitally on February 26 and on CD March 25, 2016

# # #

www.varesesarabande.com

For more information contact KrakowerGroup[at]gmail.com, or @KrakowerGroup on Twitter

ABOUT VARÈSE SARABANDE RECORDS
Founded in 1978, Varèse Sarabande is the most prolific producer of film music in the world, releasing the highest quality soundtracks from the world’s greatest composers. From current box office hits and top television series to the classics of Hollywood’s Golden Age, Varèse Sarabande’s catalog includes albums from practically every composer in every era, covering all of film history; from Bernard Herrmann, Alex North and Jerry Goldsmith to Alexandre Desplat, Michael Giacchino, Marcelo Zarvos and Brian Tyler.

Varèse Sarabande releases deluxe and expanded editions of special soundtracks for the film music aficionado. The Varèse Vintage imprint specializes in releasing new and re-issued albums by classic pop, jazz and country artists. Varèse Sarabande Records is distributed by Universal Music Group.

Follow: twitter.com/varesesarabande
Watch: youtube.com/varesesarabande
Listen: open.spotify.com/user/varesesarabanderecords
Like: facebook.com/varesesarabanderecords
Buy: varesesarabande.com
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"GODS OF EGYPT is my ode to old fashioned movies. The kinds of movies my dad would take us to at the drive-in. Mostly double-features which would start before the sun had set, so sometimes you could barely tell what was on the screen. All part of the magical childhood experience of movies. They were usually adventures in exotic lands. As a kid I loved that stuff… Everyone already knows about my passion for LAWRENCE OF ARABIA. Then there was GUNS OF NAVARONE on TV. Any Sergio Leone western. Huston’s THE MAN WHO WOULD BE KING… now there’s a damn movie! Actually still one of my favourites. I think not long after, Spielberg tried to recapture that spirit with RAIDERS… and all those influences have gone into GOE. Someone who saw the movie said it reminded them what it was like being ten years old again. A great compliment indeed! Yes the movie is old fashioned. Proudly so. Dedicated to my dad. You know, here’s the deal — it is meant to be fun..."


- Alex Proyas
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"we’re right now editing the cd (trying to reduce the 2 1/2 hrs down to 75 minutes). I think it will be my best score in a long while!"
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A FEW POINTS REGARDING CASTING GODS OF EGYPT

1 My movie is not intended to be “history”. It is inspired by myth, a fantasy film - a work of the imagination. Therefore under the rules of creative license and artistic freedom of expression, I cast the actors I considered right for the roles. It is also of course every one’s right to disagree with me. That’s art.

2. It is common for actors to play a character of a different nationality to their own. Sean Connery a Scot played a Russian. Omar Sharif an Egyptian also played a Russian. Meryl Streep played an Australian. Anthony Quinn a Mexican played almost anybody “ethnic”! And every Australian actor puts on an American accent now and then and pretends to be a yank. There was an outcry when Chinese actors played Japanese characters in a fairly recent film but generally this isn’t a focus of concern. Of course there is a justified concern if casting against race is an example of “white-washing” i.e. casting a white actor to represent a person of colour for the specific reason to appeal to a perceived predominantly white audience — though ironically I doubt there really is such an audience any more in most parts of the world.

3. There is much debate as to the the skin colour of Ancient Egyptians, though no one knows the facts with any certainty. Of course it is unlikely they were entirely caucasian, though their art shows a mixture of skin colour during most dynasties. Is this recording of actuality, or symbolic or artistic representation therefore not meant literally? Perhaps modern Egypt’s mix of peoples is an indication of the ancients' racial mix? Or perhaps not. I will not attempt to make any such argument either way - I just do not believe we know all the answers, and therefore erroneous to make generalised statements.

4. As a modern day Egyptian (of Greek ancestry which goes back to the time of Alexander the Great) I was born into a colour blind culture - and Egypt, like the countries immediately surrounding it, has been for at least the last two thousand years, a mixing pot of peoples - Middle Eastern, Mediterranean and African, a true cross-roads of civilisation, culturally and racially. Was this the case during the time of the pyramids? Who knows? Though it seems possible, and of course it depends on which era you are discussing. Ancient Egypt spanned thousands of years — and was ruled by many different peoples.

5. I cast the best actors for the roles. I stand by these decisions. The casting is an attempt to include ALL peoples - partly suggestive of the Egypt I know based on my own cultural heritage, but clearly and most importantly a work of the “imagination” — to exclude any one race in service of a hypothetical theory of historical accuracy, particularly in a film that is not attempting to be “history”, rather a fantasy film, would have been foolish and am certain would have received criticism of some other kind.

6. What are my critics saying exactly? That I should have cast Egyptians in every role? Or are they saying something else? Of course I wish there had been a great pool of english speaking Egyptian actors to draw upon for this movie, but the practicalities of production, the “names” which are required by studios to finance a movie of this scale, the fact the movie was entirely made in Australia with specific guidelines about how many “imported” actors we could include (due to financing Australian content “quota” requirements), all these aspects had a part to play in the casting of the movie.

7. Finally, I do believe this movie is not the best one to soap-box issues of diversity with. Yes, in the wider argument, I do believe we need more people of colour and a greater cultural diversity in movies — after all Hollywood has spent a century or more making 95% of it’s content based in American culture, it is time for a change. And, as one example, I do agree that often great performances by black actors in Hollywood movies are over-looked by the Academy. But in the instance of this movie, and based on my own cultural heritage, I attempted to show racial diversity, black, white, asian, as far as I was allowed, as far as I could, given the limitations I was given. It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align. Not just the creative. To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here.

Thanks for reading.

- Alex Proyas
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http://www.hitfix.com/in-contention/composer-marco-beltrami-on-crafting-another-western-score-for-tommy-lee-jones-the-homesman

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