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Klub Marco Beltrami [ŽP: 8 týdnů] (kategorie Hudba) moderuje Lokutus.
Archiv
Oficiální stránky

fanouškovské stránky I
fanouškovské stránky II
Soundtracknet interview 8/9/1998
Interview - Holywood Reporter 20/4/2004
Interview - Scoring with genre films pt. 1
Interview - Scoring with genre films pt. 2
Interview - Scorelogue - Dracula 2000
An evening with Marco Beltrami on the phone
Interview - ScoreTrack.net
OSTweb: tabulka Marca Beltramiho


Vybrané releasy:

Online:
- Love and Monsters, Michael Matthews, USA 16. října 2020, trailer

Následující projekty:
- A Quiet Place: Part II, John Krasinski, USA 17. září 2021, trailer
- Chaos Walking, Doug Liman, USA 22. ledna 2021, trailer
- Fear Street, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 2, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 3, Leigh Janiak, USA 2021, trailer, oficiální stránky
- The Cowboys, Tommy Lee Jones, USA TBA, trailer, oficiální stránky

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"The great thing about the Fear Street trilogy is that all of the movies take place in different time periods, and Leigh (Janiak) really encouraged me to lean into that aspect. The first film installment, 1994, was heavily inspired by the Scream trilogy movies of Wes Craven, so I was able to revisit the scores that gave me my start in this business. In the second film, 1978, we got to channel the iconic scores of Jerry Goldsmith and his use of woodwinds and percussion in the orchestra. It was a great opportunity to flex this muscle without using any synthesizers. The third movie, 1666, is, ironically, perhaps the most modern score of the bunch. It’s a stripped-down ensemble of a nonet of strings, percussion, choir and electronics. Overall, throughout the course of the past year, Marcus, Brandon, Anna and I wrote over four hours of music, all of it inspired by our amazingly talented director Leigh Janiak! We hope you will enjoy."

- Marco Beltrami
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https://jonman492000.wordpress.com/2021/07/16/fear-street-part-three-1666/"There is also an intimacy present a richness and a poignancy that is conveyed within the music and also in the way it is orchestrated. This could possibly be one of the best scores to arrive in 2021..."
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FEAR STREET PART 3: 1666 | Official Trailer | Netflixhttps://www.youtube.com/watch?v=dj3CXY8rKuY
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La-La Land Records and Pianella Music proudly present a limited edition CD release of acclaimed composers Marco Beltrami and Buck Sanders’ (FORD v FERRARI, WARM BODIES, MAX PAYNE) original motion picture score to the feature film military drama WAITING FOR THE BARBARIANS, starring Mark Rylance, Johnny Depp and Robert Pattinson, and directed by Ciro Guerra. Composers Beltrami and Sanders expertly embolden this compelling drama of a colonial magistrate embroiled in a crisis of conscience at a remote military outpost with a provocative and thoughtful orchestral score that features captivating and experimental strings, distinct vocal ambience and intriguing piano, guitar, percussion and harp.

Produced by the composers and Dan Goldwasser, and mastered by Doug Schwartz, this special CD release is limited to 1000 units and features exclusive, in-depth liner notes by writer Tim Greiving, (with new interview comments from the composers) and art design by Dan Goldwasser.

SUMMER
1. Opening 3:42
2. Townspeople* :46
3. Pig Dispute / Reading Wood Planks / Letter from Colonel 3:57
4. Colonel Leaves with Prisoners / Olive Farming 3:05
5. Return with Prisoners 1:11
6. Let the Prisoners Go 2:08

WINTER
7. Foot Massage 1:43
8. Washing Feet 1:56
9. Tired of Talking 1:32

SPRING
10. Into the Desert 4:00
11. Moving On* :47
12. There’s People Ahead / Tent / The Barbarians 1:02
13. Returning 2:51
14. Torture 5:13
15. Humiliation 3:55

AUTUMN
16. Riders in the Distance / Leaving Town 2:06
17. Home Alone* :47
18. Closing the Gate 2:06
19. Final Daydream / Approaching Barbarians / End Titles 2:35

Bonus Track
20. Woman of the Dunes 1:05
Total Album Time: 46:56
* Not Used in Film
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https://www.indiewire.com/2021/07/fear-street-slashers-inspired-film-1234647241/Janiak’s love for “Scream” fuels most of “1994” — she even hired original “Scream” composer Marco Beltrami to score her trilogy — and that affection carries through the entire series, which is steeped in self-aware teenagers trying to break loose from the kind of terror you’d only find in a horror film. “‘Scream’ was my favorite as a teenager,” Janiak said. “I just think it’s one of the most brilliant movies ever made, which is very clear by how much I love it and try to pay homage to it in these movies.”

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