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Klub Marco Beltrami [ŽP: 8 týdnů] (kategorie Hudba) moderuje Lokutus.
Archiv
Oficiální stránky

fanouškovské stránky I
fanouškovské stránky II
Soundtracknet interview 8/9/1998
Interview - Holywood Reporter 20/4/2004
Interview - Scoring with genre films pt. 1
Interview - Scoring with genre films pt. 2
Interview - Scorelogue - Dracula 2000
An evening with Marco Beltrami on the phone
Interview - ScoreTrack.net
OSTweb: tabulka Marca Beltramiho


Vybrané releasy:

Online:
- Love and Monsters, Michael Matthews, USA 16. října 2020, trailer

Následující projekty:
- A Quiet Place: Part II, John Krasinski, USA 17. září 2021, trailer
- Chaos Walking, Doug Liman, USA 22. ledna 2021, trailer
- Fear Street, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 2, Leigh Janiak, USA 2021, trailer, oficiální stránky
- Fear Street 3, Leigh Janiak, USA 2021, trailer, oficiální stránky
- The Cowboys, Tommy Lee Jones, USA TBA, trailer, oficiální stránky

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[ 1384 ] <Novější  <<<Nejnovější  Nejstarší>>>  Starší>  
lokutus Lokutus watch?v=teBV0EoJJY8&t=232 - prodej OST 14.8.2021 07:19 - Oblíbené kluby (12:58) 2270
https://moviemusicuk.us/2021/08/13/fear-street-part-three-1666-marco-beltrami-and-anna-drubich/"When taken as a complete series, the work that Marco Beltrami and his co-composers have done for Fear Street represents some of the best contemporary horror work in quite some time, and all three albums are necessary to gain a full appreciation for the entire story."
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“Hypnosis / Odessa” Original Motion Picture Score




Limited Edition of 100 copies
Label: KMRCD 058
Film Date Hypnosis: 2020
Odessa: 2019
Album Date: 2021
Tracks: 22
Time: 31″12

KeepMoving Records announces two scores on one CD by Anna Drubich, a Russian-born composer often working on the projects of Marco Beltrami (Scary Stories to Tell in the Dark, Fear Street).

The soundtrack features two collaborations with writer/director Valeriy Todorovskiy. The first one is the movie Hypnosis, which tells the story of a teenager Misha (Sergey Giro) who receives hypnotic treatment for sleepwalking, but eventually he becomes so dependent on the therapy that he is no longer able to distinguish reality from illusion. The score’s idea of blending the border between reality and dreamscapes is a beautiful motive that disintegrates as the story progresses.

The second score is Odessa, a family dramedy based on Todorovskiy’s own personal memories about getting stuck in the Russian city in the midst of a cholera outbreak. The score has two main themes: the Childhood Theme – which supposed to be a stark memory from the childhood that stays with you all entire life – and then the second main theme of the film would be the Family/Destiny Theme which is about taking responsibilities for your doings and wishes.”

The limited-edition CD comes with liner notes by Gergely Hubai discussing the films and the scores based on an original interview with the composer.


https://keepmovingrecords.com/product/hypnosis-odessa/
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http://marco-beltrami.com/Uka za 111 projektů (včetně nejnovějších) opět online!
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"The great thing about the Fear Street trilogy is that all of the movies take place in different time periods, and Leigh (Janiak) really encouraged me to lean into that aspect. The first film installment, 1994, was heavily inspired by the Scream trilogy movies of Wes Craven, so I was able to revisit the scores that gave me my start in this business. In the second film, 1978, we got to channel the iconic scores of Jerry Goldsmith and his use of woodwinds and percussion in the orchestra. It was a great opportunity to flex this muscle without using any synthesizers. The third movie, 1666, is, ironically, perhaps the most modern score of the bunch. It’s a stripped-down ensemble of a nonet of strings, percussion, choir and electronics. Overall, throughout the course of the past year, Marcus, Brandon, Anna and I wrote over four hours of music, all of it inspired by our amazingly talented director Leigh Janiak! We hope you will enjoy."

- Marco Beltrami
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https://jonman492000.wordpress.com/2021/07/16/fear-street-part-three-1666/"There is also an intimacy present a richness and a poignancy that is conveyed within the music and also in the way it is orchestrated. This could possibly be one of the best scores to arrive in 2021..."

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